Audio Describer
Furthering audio description in the South West
Creating tailored visual impairment access services for your event or performance.
About Charlotte
Trained Audio Describer
I trained in 2021 with Roz Chalmers from The National Theatre audio description team on a training programme supported by Arts Council England for Theatre Royal Bath.
I was then awarded a Developing Your Creative Practice grant to undertake the project Furthering Audio Description in Theatre in the South West, supported using public funding from Arts Council England.
I have since worked in theatres, museums and art galleries, conferences and directly with production companies to increase their audio described offering to visually impaired audiences and advise on the accessibility of their work.
I have worked with Proteus Theatre, Sound UK, Raucous Theatre, Dragonbird Theatre, Bristol City Museum and Art Gallery, The Wardrobe Theatre, Tobacco Factory Theatres, Arnolfini Art Centre, UWE and Bath University, amongst others.
Having previously worked in television production, theatre production and performance, I am particularly interested in the use of sound effects and dramatic content within audio description to increase its engagement with audiences.
I have a speciality in children’s theatre and am keen to open up family and young people’s theatre to visually impaired audiences.
Testimonials
I have worked alongside some of the major theatres and venues in the South West.
Clients
OUR WORK
Current Projects
Hansel and Gretel
Plantation A…
How audio description can help
Previous Work
I work directly with venues and production companies to augment their audio described offering and make their performances accessible to visually impaired audiences. Clips of audio introductions and fully embedded audio description tracks into video can be heard in the following examples of previous work.
Charlie's Wardrobe
Dragonbird Theatre (Dec 2022) – Adding audio description to the pre-recorded show and interactive workshop for the early years play, Charlie’s Wardrobe, as part of their accessible offering on Dragonbird at Home.
The Owl & The Pussycat
Dragonbird Theatre (Dec 2022) – Scripting, recording and embedding audio description into the early years play, The Owl and The Pussycat, and its accompanying workshop as part of the online film service Dragonbird at Home.
Plantation A…
Edward Jesson and The Phaedra Ensemble (June / August 2024) – Creative AD consultation for the work in progress showing. Scripting and delivery of Introductory notes tailored to the Autumn tour.
Constable in Bristol: Truth to Nature
Bristol Museum and Art Gallery (March / April / August 2024) – Consultation, scripting and delivery of recorded audio description to accompany the exhibition, including creative section introductions and individual exhibit descriptions. Preparing and delivering live audio described tours and interactive workshops, one for adults and one for children and families.
Listen to Constable in Bristol: Truth to Nature on SoundCloud
Other Work
The Velcro Collective (March 2024) – Access assistance provided for VI workshop facilitator and attendees.
Bristol Comedy History Walk (April 2023) – VI access consultation, scripting and delivery of audio described introduction and pre-walk guide.
The Snow Queen, New International Encounter for Tobacco Factory Theatres (January 2023) – Scripting and delivery of audio introductory notes and live through description. Planning and leading the touch tour.
Puppets Do A Movie, The Wardrobe Theatre (January 2023) – Visual impairment access audit for the venue; advising on an audio description strategy; Planning, scripting and delivery of audio introductory notes and a touch tour.
Bristol City Museum and Art Gallery (November 2022) – AD audit and initial preparation for the future delivery of film installations with AD.
Hopeful Futures conference, UWE (November 2022) – Pre conference consultation, access assistance provided on the day, post conference report with recommendation for future inclusivity.
The Lantern Room, Raucous Theatre (November 2022) – AD access audit for the R&D phase of The Lantern Room, Watershed.
Revealed, Tobacco Factory Theatre (October 2022) – Scripting and delivery of audio introductory notes and live through description.
The Canticle of the Sun, Arun Ghosh for Sound UK (June 2022) – Scripting and delivery of audio introductory notes; planning and delivery of touch talk and handling session, St George’s Concert Hall.
The Bloody Chamber, Proteus Theatre (May 2022) – Delivery of the audio through description, Norwich Playhouse.
Audio Files
Understanding Audio Description
What is Audio Description?
Audio description is a narration describing anything a creator has chosen to depict through the visual medium alone.
In theatre, that is a script describing the visual aspects of the performance and includes the appearance of the actors, the costumes and the set, scene changes, choreography, body language and facial expressions. This can be delivered live or added as an audio track to pre-recorded digital shows.
It contains several elements: introductory notes; touch tours; through description delivered live or prerecorded; integrated description. (For a detailed explanation, see Services).
In museums and art galleries, exhibits are described and placed within the context of the exhibition.The audio description can be delivered as pre-recorded audio tracks accessed via QR or Navilens codes, or as an in person tour led by a describer.
In conferences, audio description can be supplied to accompany visual presentations and the navigation of the conference venue.
Audio description is essential if you want to open up your creative or cultural event to visually impaired audiences or attendees. It can also add a great deal of value to the autistic experience and to anyone who struggles with sensory or sequential processing.
The different elements of audio description can be applied on an event specific basis, tailoring the AD to the audience needs of individual events.
How audio description can help
Services
Tailored to your needs, I can deliver audio description tracks to be embedded into digital services or delivered live. I advise companies in the early stages of developing a show on how to increase the accessibility of their event, including integrated description, touch tours and comprehensive introductory notes.
Providing introductory
notes
This is a document that introduces the event, providing background information to the story or the setting.
In theatre, it describes any set, props, costumes, characters and how those characters are interrelated. In museums and art galleries, it will introduce the exhibition, the context, how the AD will be delivered and navigation information for the event space.
It will also deliver access information for the event, giving full details on dates, times and how to attend. It is presented as a large print pdf and an MP3 audio file, which can be sent out in advance directly to audience members, made available as a download on the event website, or accessed via a QR or Navilends code in the event space.
From resources provided by the production and the venue, and after viewing the event, I will create comprehensive introductory notes to be delivered to VI audiences.
Planning and leading touch tours and handling sessions
In theatre, a touch tour is an event where audience members are invited onto the stage to handle and examine parts of the set, costumes, props and objects that help tell the story of the performance. It is an event organised with stage management, and can be led by the stage manager or the audio describer. In collaboration with stage management, I can plan the content and delivery of a touch tour.
In museums and art galleries, described tours and handling sessions are arranged in conjunction with exhibition curators. They will cover the context of the exhibition, describe key exhibits and guide in the handling of specific objects.
Scripting and delivery of live audio description
Scripting and delivery of pre-recorded audio description
Through description can be added to films of performances which can be streamed or delivered digitally direct to audiences’ homes. I use a modified version of Reaper software to embed the audio description track into the film, working with a virtual sound engineer to ensure a high-quality delivery consistent with the tone of the performance.
To museums and galleries, it is presented as a large print pdf and an MP3 audio file, which can be made available as a download on the event website, or accessed via a QR or Navilends code in the event space.
Pre conference advice and access assistance
Second describer support
I am also available to support other audio describers who may require a second to assist with scripting, proofreading, live description, dry runs and any other support.
Improve and adapt Your current services
Not sure where to start with audio description?
Would like to improve or adapt your current access services? Interested in integrating audio description into your production as part of the performance? I can provide creative consultation and tailored advice on audio description from a very basic introduction to AD right through to coming into the rehearsal room to help create integrated overt and /or covert description embedded into your show. Working with visually impaired colleagues, these services can be moulded to fit your requirements.
Get in Touch
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